Marisa Maino

Marisa Maino writes the kind of songs that feel like confessions — honest, unfiltered, and a little unhinged in the best way.

With over 50 million streams and 100 million views across socials, Marisa has carved out a space where emotional chaos isn’t just allowed — it’s celebrated. Her music captures the highs, lows, and in-betweens of coming undone and putting yourself back together again, one glitter-coated anthem at a time.

Her sound lives between nostalgia and nervous breakdown — part pop, part punk, part diary entry. It’s the soundtrack to crying in your car, texting your ex, and dancing it off in your bedroom mirror. Every chorus is a release. Every bridge is a spiral. But even at her messiest, Marisa never loses her sense of humor — or her style.

From day one, she’s built her world from the ground up — writing the songs, directing the visuals, styling the looks. Her debut project Stages of Love & Heartbreak played like a five-act play of love, loss, and late-night regrets, with tracks like “Hot” and “Boy Toy” striking a chord with listeners who needed a little drama with their healing.

Visually, she leans all the way in: loud colors, messy emotions, and a little campy chaos. Think heartbreak Barbie meets indie film heroine. Nothing is too much, because that’s the point — if you’re going to feel everything, you might as well make it look good.

Marisa doesn’t pretend to have it all figured out. She just knows how to turn her mess into music — and let others feel seen through it. Because being “too much” isn’t the problem. It’s the superpower.

Welcome to the Mainoverse. Unfiltered, a little unstable, and deeply relatable.